Llew and his large bronze work: Ecce Homo (Behold the Man)
Llew Summers was born Christchurch, New Zealand in 1947. He held his first exhibition in 1971 and since then has held many one-man shows as well as exhibiting alongside other artists including: Tony Fomison, Fatu Feu’u, Michael Smither, Tom Mutch, Peter Carson, Roger Hickin, Bing Dawe and Graham Bennett.
He believes it is the role of the artist to challenge: “if it’s not challenging, then, in some way, it’s not new”. His interest has been primarily in figurative works, and is celebratory of the human form, affirming the beauty of the human body. However, following a formative and revelatory overseas trip his use of religious symbolism has developed. It was first manifest through a series of icons and shrines comprising crosses, hearts and lights. More recently it has led to a fertile preoccupation with winged forms; most often, but not exclusively, attached to bodies. These angels are an obvious melding of the human and the divine – bringing an explicitly spiritual element to his work and highlighting the important role of morality, and the spiritual dimension of human existence.
“What’s important to me is to get a balance between the physical and the spiritual in life. We’re given a soul and we’re given a body. Sculpture is a nice balance because works can be made which are deep and meaningful, but they require your physical body to produce them. Works must have soul, rather than being merely clever or smart.”
He regularly participates in outdoor sculpture shows such as those held at the Waitakaruru Arboretum and Sculpture Park, the Auckland Botanic Gardens, the NewDowse Gallery, Governors Bay and Sculpture in Central Otago (Wanaka), as his larger works are ideal for garden and other outdoor settings.